The historical novel genre trumps non-fiction in Honoree Fanonne Jeffers‘ incredible work, THE LOVE SONGS of W.E.B. DuBOIS.
From slave ship to the 20th Century, a family story that evokes memories of Alex Haley’s ROOTS. However, the impeccably researched detail, characters and story telling in LOVE SONGS goes beyond that classic work.
In reading LOVE SONGS I was called to events reported in iconoclastic The 1619 Project. However in LOVE SONGS, storyteller Jeffers is supreme. Like ROOTS, the events are personified and the story line captures the reader not just through the extraordinary events but for generations. Jeffers does not miss a single important issue that has faced African Americans both within society and individual familial generations. Her protagonists carry indelible images of the individuality within her race. Sub-themes tell stories of differing shades of black skin, and there is a strong feminist substance throughout her work that is deeply personal and often explicit. The W.E.B. Dubois connection will unfold but reading his The Soul of Black Folks will add great depth.
At seven hundred ninety pages LOVE SONGS is no quick read but Jeffers’ story telling, dialogue and imagery flows beautifully through every turn of the page. If I had a vote LOVE SONGS would warrant a Pulitzer and an American Book Award.