Some have, but so very many have not read Homer’s THE ILIAD). Emily Wilson’s translation, THE ILIAD, puts this classic within the scope of almost any reader. Wilson has accomplished a remarkable feat in bringing to the reader in contemporary iambic pentameter this incredible poem of over 500 pages vividly telling the mythical story of the nine year siege by the Greeks of ancient Troy. None of the mythical and mortal characters are missing.

What makes Wilson’s work even more accessible is her carefully detailed introduction which perfectly sets the table for the giant epoch. Furthermore, in THE NOTES, Wilson writes summaries of each of the twenty four books (sections) of the poem. However, don’t look for the Trojan Horse in these verses. That story is told in another ancient tale OF Troy, the Aeneid by Virgil.

When I first opened THE ILIAD I admit it was daunting. But once I ventured into the poem it unfolded very logically despite the enormity of the plot and cast.

The ancient story has contemporary meaning. You can raid fine cattle or well fed sheep, and you can trade to get tripods and horses with fine golden manes. But human life does not come back again after it passes through the fence of teeth. No trade or rustling can recover it. (9.324.29)

Cowards and heroes have the same reward. Do everything or nothing-death still comes. ( 9.493.97)

THE ILIAD teaches: In war, killers recognize no binding obligation to compensate the families of their victims. The only way the bereaved can recoup their losses is to kill the killer-whose comrades will demand vengeance in their turn. Killing begets killing, death begets death, and every loss of life generates further loss of life. ( THE ILIAD Introduction P2)

Ancient perspective for the world affairs of October, 2023.